An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war).

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war).

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war).

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

Attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

Attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war). & nbsp;

An attempt to revive the periodical for composers as a platform for the exchange of experience (Nos. 1-8 came out before the war)

An attempt to revive the periodical for composers as a platform for the exchange of experience (Nos. 1-8 came out before the war)

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war)

An attempt to revive the periodical for composers as a platform for the exchange of experience (Nos. 1-8 came out before the war)

In this book, on an extensive material, the most important and characteristic ideas are analyzed that will help the drafts players master effective methods of solving combinations and increase combination vision. Each chapter concludes with positions for self-determination. The publication is intended for a wide range of drafts lovers.

The author of the book, international master Maxim Chetverik, addresses an important aspect of chess theory regarding positional play. In the majority of works devoted to positional play, strategic elements are considered separately, while strategic plans (and, especially, confrontation of plans) are disassembled much less often. The works of the classics in this area are not outdated, but a modern view of the problem is useful, taking into account the connection between the middlegame and the actual theory of principles. There are 75 examples in the book, in each of which at least one partner bears the title of grandmaster. All games are played in the 21st century. Initially, strategic plans are considered against the backdrop of enemy defensive actions, then the active opposition of the parties as part of the positional game is studied. .For a wide range of chess lovers.

Vienna bronze was sincerely loved and collected by the widest sections of the population since the beginning of its production in Austria - from the middle of the 19th century. King's Height & ndash; 8.5 cm, the diameter of the base of the king & ndash; 2.5 cm. This is a very rare Viennese bronze made by the method of casting on lost wax patterns (`cire perdue & # 39;) with the highest level of quality. Each figurine was created with great detail, as well as with humor. Polychrome coloration (several different layers) is called cold coloration, since it was not fired. Items were cast in Vienna, and then decorated in several layers of the so-called dust paint; the know-how for mixing this type of paint was lost. The painting was carried out mainly by women working at home. This mark can be found here vienna-bronze dot ru slash klejma among the hallmarks of Viennese masters of the second half of the 19th century. Extreme rarity. Full set (32 pieces) & nbsp;

Complete set.

The history of chess of Ancient Russia is fraught with many mysteries. Where did this game come to Russia - from the East or the West? When did she first appear among the Eastern Slavs? What did the old Russian chess pieces look like? The book of the candidate of historical sciences I.M. Linder answers these and many other questions.

2nd Edition, revised and enlarged. The history of chess of Ancient Russia is fraught with many mysteries. Where did this game come to Russia - from the East or the West? When did she first appear among the Eastern Slavs? What did the old Russian chess pieces look like? The book of the candidate of historical sciences I.M. Linder answers these and many other questions.

For all chess players, from beginner to world champion, for children and adults, checkmate & ndash; the greatest pleasure a game can deliver. The ability to find a mate is very important & ndash; and this book will show you how to learn it. The main purpose of the textbook & ndash; experience gained by the reader in the recognition of matte designs. You will be ready to stun your opponent, because the reducible mats are exactly those that are most often found in practical games. By solving examples, 95% of which are taken from tournament practice in recent years, an inexperienced player will be able to & laquo; fill his hand & raquo; in finding matte & laquo; patterns & raquo ;. The solutions are short and forced, which is most useful for chess players of a not very high level. All examples are carefully checked and systematized by topics and difficulty levels. Points are awarded for the right decisions, so you can & laquo; measure & raquo; your strength. Grandmaster John Nunn is one of the most respected figures in the chess world. He won four gold medals at the Chess Olympiads and became the triple world champion among solvers. Dr. Nunn is also one of the most brilliant chess authors in the world, who has written many fine books. Solving these problems, you will definitely significantly enhance your game. For a wide range of chess lovers.

Signature on the board - & quot; Author Garanin. Written by Korotkov & quot ;. Porcelain painted underglaze monochrome. The height of the king is 10 cm, the diameter of the base of the king is 3 cm. At 8, 5 - 10. The union brand & quot; Gzhel & quot ;. Board size 40 * 40 cm. Art 19.